February 1, 2008

I couldn't have done it without her

In this article about the new movie Honeydipper, director John Sayles is quoted talking about one of the characters' motivations:

It's not the club Tyrone is afraid of losing, because his wife makes more money mopping floors. It's the fear of losing the idea that he's his own boss, he's not asking to shine your shoes and he's somebody in the community.
(Let me preface the following rant by saying that my problem here isn't really with Honeydipper or with Sayles -- I haven't seen the movie, or even heard all that much about it, and I don't have anything specific to hold against Sayles. But there's something in that quote that I see far too often in our culture, so it's set me off.)

Did you see what was completely skimmed over there?
his wife makes more money mopping floors
So here's the thing. This character can only be "somebody in the community," can only do something that makes him feel complete as a human being because his wife is doing menial labout to put food on the table. Tyrone, like so many men in culture both popular and highbrow, gets to go on a quest for self-actualization because there's a woman in the background worrying about base material reality.

What's really frustrating is that the work of the woman in question (whether wife, mother, or girlfriend-who-might-as-well-be-mother) is usually not appreciated. In fact, it's often used as an example of what a drag the woman is.

Think of High Fidelity, for example. The central conflict of the movie version is that our hero's lawyer girlfriend has become an adult, earning a living, making much more money that our record-store-owning hero. She's essentially accused of selling out. And even though the resolution is supposedly about our hero learning to grow up ... what does he do? He starts a creative endeavour and gets to DJ again. This is growing up? Is he going to be able to do that kind of thing for long if lawyer-girlfriend doesn't keep lending him money?

Practicality, concern for the future, realism -- these are all terrible things that cramp the style of men seeking their true, authentic selves. Just once, I'd like to see a man find his authentic self, and then turn around and say to the woman who's been keeping the bills paid, "okay, now I'm going to work at a soul-deadening job for a while so you can figure out who you really are".

Anyone know of any such examples?

No comments: